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Lia Kohl — Various Small Whistles and a Song vinyl cover
AmbientExperimentalTechno BeatsDrone Beats

LIA KOHLVarious Small Whistles And A Song

Label
Dauw
Catalog
DAUW78LP
Format
10inch Vinyl
Release Date
Features
Standard

28.98

Tracklist

Voting Line, Downtown Chicago(Original Mix)

Lia Kohl

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Penny Whistle Seller, Guangzhou(Original Mix)

Lia Kohl

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Sullivan's Island Beach, Charleston(Original Mix)

Lia Kohl

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Basketball Court Feat Macie Stewart(Original Mix)

Lia Kohl

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Walking Home, Los Angeles Feat Patrick Shiroishi(Original Mix)

Lia Kohl

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My Kitchen, Chicago(Original Mix)

Lia Kohl

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Outside, Arrington Feat Colin Held(Original Mix)

Lia Kohl

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Midewin National Tallgrass Prairie, Illinois Feat Corey Smith, Ellie Mejía, Anna Fox(Original Mix)

Lia Kohl

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Train, Antwerp To Amsterdam(Original Mix)

Lia Kohl

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Belzec Extermination Camp Feat Jesse Perlstein(Original Mix)

Lia Kohl

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Home, Los Angeles Feat Claire Rousay(Original Mix)

Lia Kohl

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Amtrak, Hudson Valley(Original Mix)

Lia Kohl

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Home, Portland Feat Steve Rosborough(Original Mix)

Lia Kohl

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Walking Home, Chicago(Original Mix)

Lia Kohl

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Antwerp Central Train Station, Antwerp(Original Mix)

Lia Kohl

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Barcelona (6 13 Am, January 1St)(Original Mix)

Lia Kohl

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About Release

Various Small Whistles and a Song, the new album by Chicago-based artist Lia Kohl, incorporates notions of space, social relations, and humor. As the title suggests, the album responds to Ed Ruscha’s 1964 photographic artist book Various Small Fires and Milk, which Kohl sees as a wondrous celebration of ordinariness, one that reveals Ruscha’s trademark deadpan humor and depth. In the spirit of that publication, Kohl created her own series of sonic vignettes, with guest appearances from her close community of collaborators including claire rousay, Macie Stewart, Patrick Shiroishi, and others, reflecting the same sense of humor and mundanity.The structure of the album—16 one-minute tracks—directly mirrors Ruscha’s book, which comprises 15 photographs of fire and one of a glass of milk. Ruscha’s “small fires” are represented here by recordings of whistles—mostly human whistling, with occasional appearances by train whistles, emergency whistles, and a woman selling penny whistles on the street in Guangzhou, China. About this choice of material, Kohl writes: “I’ve always been captivated by whistling—it’s musical but often a bit unconscious; usually solo but often done in public places. There’s something tender and human about hearing someone whistle, a socially acceptable version of hearing their mind wander.” As with Ruscha’s photographs, the whistles are not random snapshots but windows into social situations, narratives, or spaces.The “milk” of the title — the 16th photograph in Ruscha’s book — is interpreted here as a single recording: a group of people singing together in Barcelona around 6 a.m. on New Year’s morning, captured through the floor of an Airbnb. Kohl describes this as a social, collective sound that contrasts with the solitary nature of whistling. The song functions as a counterbalance—a quiet celebration of shared experience.Lia Kohl is a composer and sound artist based in Chicago. Her wide-ranging practice includes composition and performance, installation, improvisation, and collaboration. She tours nationally and internationally, working in theater, jazz, rock, and experimental contexts. Her work centers curiosity and patience, an exploration of the mundane and profound possibilities of sound.

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