NINAJIRACHI — I Love My Computer LP

Ninajirachi – I Love My Computer LP arrives on NLV Records as catalogue DA22IEX, a 12-inch vinyl that frames the Australian producer’s concept album around a personal dialogue with her computer. The record, described by the label as a “Blue and White Galaxy Indies Exclusive Vinyl”, captures Wilson’s genre-hopping sensibility, moving from EDM through tech-house, speed garage, dubstep and hyperpop while keeping an electro core. While NLV’s own catalogue offers no immediate reference points, the same material appeared earlier this year on DeadAir Records (catalogue DA22), giving the LP a dual-label life that underscores Ninajirachi’s willingness to experiment with format and distribution. This cross-label presence highlights the artist’s position at the intersection of Australian electronic heritage—following in the footsteps of PNAU and Flume—and a forward-looking, tech-centric aesthetic. Side A opens with “1: London Song”, a title that suggests a cinematic opening, setting a tone that the subsequent tracks build upon. “2: iPod Touch” follows, maintaining the album’s fluid shift between styles, while “3: Fuck My Computer” pushes the narrative into a more confrontational space, echoing the album’s thematic tension. “4: CSIRAC” continues the homage to computing history, and “5: Delete” offers a brief respite before the quirky “6: ฅ^•.•^ฅ” injects a playful contrast. The side closes with “7: All I Am” and “8: Infohazard”, tracks that deepen the introspective mood before the final two cuts of the side, “9: Battery Death” and “10: Sing Good”, which balance darker texture with a hopeful lift. Side B picks up with “11: It’s You”, a track that feels like a personal address, leading into “12: All At Once”, the album’s concluding statement that ties together the diverse genre references into a cohesive finish. The sequencing creates a narrative arc suitable for a DJ set that wants to evolve from subtle groove to full-bodied climax, offering moments for both peak-time energy and more reflective transitions. Within Ninajirachi’s output, this LP marks a continuation of the artist’s collaborative reach—remixing for Princess Nokia, Deadmau5 and The Neptunes, and releasing on both NLV Records and RL Grime’s Sable Valley—while also reflecting a live performance pedigree that includes Lollapalooza, EDC and Splendour. The record’s concept focus on the computer as both tool and muse situates it within a broader conversation about technology’s role in contemporary electronic music, resonating with listeners who appreciate both the nostalgic nods to early-2000s Australian sounds and the forward-looking hyperpop sheen. For DJs, the record offers a versatile palette: the early tracks lend themselves to warm-up slots, the mid-side cuts provide rhythmic tension for peak moments, and the closing pieces can be used to close a set with a reflective, yet still danceable, mood. Collectors will value the exclusive blue-and-white galaxy pressing, which stands out visually and aligns with the release’s thematic focus on digital aesthetics. The LP is pressed as a 12-inch vinyl, presented in the label’s exclusive blue and white galaxy design. Its format supports the full twelve-track journey, allowing listeners to experience the album’s narrative arc as intended on analog. Ninajirachi – I Love My Computer LP, NLV Records, catalogue DA22IEX, 12-inch vinyl, twelve tracks. Tracklist: A1. Ninajirachi – 1: London Song A2. Ninajirachi – 2: iPod Touch A3. Ninajirachi – 3: Fuck My Computer A4. Ninajirachi – 4: CSIRAC A5. Ninajirachi – 5: Delete A6. Ninajirachi – 6: ฅ^•.•^ฅ A7. Ninajirachi – 7: All I Am A8. Ninajirachi – 8: Infohazard A9. Ninajirachi – 9: Battery Death A10. Ninajirachi – 10: Sing Good A11. Ninajirachi – 11: It's You A12. Ninajirachi – 12: All At Once