MÉZIGUE — Eau De Shit

Mézigue – Eau de Shit opens a vivid chapter for DKO Records, catalogued as DKO42LP, on 12-inch vinyl. The mini-album arrives on 20 November 2026 and stitches together trip-hop, pop beats and electronica with a restless genre-bending spirit. Its title hints at a tongue-in-cheek alchemy, while the music traverses Acid House, Techno, Hip-hop and rap, offering a fresh palette for both dancefloors and headphone sessions. Within the DKO catalogue, Mézigue’s earlier double-LP “Apr7s” (DKOLP10, 2025) established a taste for expansive, vinyl-centric statements. “Eau de Shit” continues that trajectory, condensing a similarly adventurous approach into a concise seven-track format that feels both experimental and immediately approachable. Side A launches with “Alburostre”, a track whose title conjures a sprawling, perhaps cinematic, sense of movement. It sets a forward-driving pulse that segues into “Feel Like Hope”, a piece that lifts the mood while maintaining the record’s kinetic energy. The third cut, “Un Saut Mort”, offers a darker turn, its title suggesting a sudden, perhaps unsettling drop that contrasts with the optimism of its predecessor. Closing side A, “Ghostproduit (Ft. Hyas)” introduces a featured voice, adding a lyrical layer that enriches the multi-genre dialogue established earlier. Side B opens with “Put me down (Ft. Mad Rey)”, where the featured contribution deepens the rap-inflected side of the record, reinforcing the hip-hop thread woven through the whole release. “From Anyouairse (Ft. Mad Rey)” follows, extending that collaborative vibe and providing a smooth transition toward the final statement. The record closes with “Big Pardon J’ai Pas De Ké”, a title that hints at playful defiance; its placement as the last cut gives the EP a memorable, tongue-in-cheek finish that echoes the overall irreverent tone. In the context of Mézigue’s output, “Eau de Shit” demonstrates a continued willingness to blur boundaries. After the expansive “Apr7s” LP, this mini-album condenses the same exploratory ethos into a tighter framework, highlighting the artist’s skill at weaving disparate styles into a coherent whole. Within DKO Records, the release reinforces the label’s commitment to forward-thinking electronic music that refuses to be pigeonholed. For DJs, the record offers multiple entry points. The A-side tracks provide robust, groove-oriented loops suitable for peak-time sets, while the B-side collaborations with Mad Rey supply vocal hooks that can be layered over darker, more atmospheric moments. The varied tempos and textures make the EP a versatile tool for transitioning between techno-driven peaks and hip-hop-flavoured breakdowns, appealing to selectors who thrive on genre-crossing narratives. The physical format is a 12-inch vinyl, matching the traditional medium favoured by collectors who value tactile interaction with the music. Its straightforward pressing aligns with the record’s focus on musical content rather than novelty packaging. Mézigue – Eau de Shit, DKO Records, catalog DKO42LP, 12-inch vinyl, seven tracks. Tracklist: A1. Mézigue – Alburostre A2. Mézigue – Feel Like Hope A3. Mézigue – Un Saut Mort A4. Mézigue – Ghostproduit (Ft.Hyas) B1. Mézigue – Put me down (Ft.Mad Rey) B2. Mézigue – From Anyouairse (Ft.Mad Rey) B3. Mézigue – Big Pardon J’ai Pas De Ké