MOOMIN — Yesterday's Tomorrows LP 2x12"

Moomin – Yesterday's Tomorrows LP arrives on WOLF MUSIC as catalogue WOLFLP004, a double 12-inch vinyl that bridges deep house, beats house, drum-&-bass house and trip-hop house. The third album from the producer, and his debut on the WOLF imprint, revisits his natural, organic sound while extending into 90s New York hip-hop-inspired beatdown and a liquid Drum & Bass sensibility. Within the WOLF MUSIC catalogue, Yesterday's Tomorrows follows a string of 2026 releases that include Malik Kassim’s Choices EP Vol.2 (WOLFEP090) and Vol.1 LP (WOLFEP086), DJ Alone Again’s Orbital Constructs (WOLFEP089), Brs’s Spring Dom EP (WOLFEP047), DJ Soch’s Let Me Tell You EP (WOLFEP088), Toronto Hustle & Sean Roman’s Social Narcotics (WOLFEP087) and Reagan Grey’s Kinetic EP (WOLFEP084). The sequence of earlier EPs frames the label’s current focus on genre-blurring house music, making Moomin’s LP a natural continuation of that exploratory ethos. Side A opens with “Daysdays”, a track that leans into the deep house vein, offering a steady groove that sets a reflective tone for the record. “In Our Lifetime” follows, maintaining the house foundation while introducing a subtle rhythmic shift that hints at the beat-down direction explored later. On Side B, “Shibuya Feelings” brings a nod to the urban ambience of its title, delivering a beat-house pulse that feels both spacious and intimate. “Maybe Tomorrow” deepens the mood, its title suggesting a forward-looking atmosphere that dovetails with the album’s thematic focus on time and anticipation. Side C begins with “Move On God”, a composition that blends the liquid Drum & Bass influence with house rhythm, creating a fluid momentum suited for late-night sets. “949494” continues the kinetic energy, its repetitive title reflected in a hypnotic pattern that works well for building tension on the dancefloor. Side D closes with “Into The Woods”, a track that evokes a darker, more introspective space, aligning with the album’s occasional forays into trip-hop house textures. The final cut, “Fruits”, offers a concluding groove that ties together the diverse stylistic threads, leaving the listener with a lingering sense of resolution. Moomin’s recent output includes the 2x12-inch LP A Minor Thought on Smallville Records (SMALLVILLELP11) and the similarly formatted Into The Distance on Oath (OATH024). Those releases established his reputation for organic production within deep house, a foundation that is expanded here through the added hip-hop and Drum & Bass dimensions. In the broader context of contemporary underground electronic music, Yesterday's Tomorrows stands as a multi-genre statement that reflects the current appetite for hybrid forms. By integrating deep house warmth with beats house aggression and liquid Drum & Bass fluidity, the record captures a moment where genre boundaries are increasingly porous. For DJs, the double 12-inch format provides ample room for creative mixing: the A-side tracks lend themselves to warm, melodic openings, while the B- and C-sides supply rhythmic intensity for peak-time transitions. The D-side’s more atmospheric pieces are ideal for winding down a set or for use in after-hours programming where mood and texture take precedence. The release is pressed as a 2x12-inch vinyl, matching the format of Moomin’s previous LPs and offering the tactile experience prized by collectors. The double-disc presentation underscores the breadth of the material, allowing each side to breathe within its own stylistic niche. Moomin – Yesterday's Tomorrows LP, WOLF MUSIC, catalogue WOLFLP004, 2x12-inch vinyl, eight tracks. Tracklist: A1. Moomin – Daysdays A2. Moomin – In Our Lifetime B1. Moomin – Shibuya Feelings B2. Moomin – Maybe Tomorrow C1. Moomin – Move On God C2. Moomin – 949494 D1. Moomin – Into The Woods D2. Moomin – Fruits